Batchelor Institute logo
Acknowledgement of country

Batchelor Institute would like to acknowledge and pay respect to the Aboriginal and Torres Strait Islander sovereign people of the lands on which our campuses are located. As we share our knowledge, teaching and learning and engage in research practices within this Institution and/or conduct business with a variety of external agencies and organisations, we must always pay respect to the sovereign status of our hosts. May their Ancestors always be remembered and honoured, their Elders listened to and respected, all members treated with dignity and fairness — in the present and well into the future.

We also acknowledge and pay respect to the knowledge embedded forever with our hosts, custodianship of country and the binding relationship they have with the land. Batchelor Institute extends this acknowledgment and expression of respect to all sovereign custodians — past, present and emerging. By expressing Acknowledgement of Country we encourage all to extend and practice respect to all First Nations people wherever their lands are located.

Please read this important information
It is a condition of use of the Batchelor Institute of Indigenous Tertiary Education website that users ensure that any disclosure of the information contained in the website is consistent with the views and sensitivities of the Aboriginal and Torres Strait Islander peoples.
This includes:
Language
Users are warned that there may be words and descriptions which may be culturally sensitive and which might not normally be used in certain public or community contexts. Terms and annotations, which reflect the author’s attitude or that of the period in which the item was written, may be considered inappropriate today in some circumstances.
Deceased persons
Users of the website should be aware that, in some Aboriginal and Torres Strait Islander Communities, seeing images of deceased persons in photographs, film and books or hearing them in recordings may cause sadness or distress and in some cases, offend against strongly held cultural prohibitions.
Access conditions
Materials included in this website may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions which the Institute is required to maintain
Application details
Position No.

.pdf, .doc, .docx maxiumum file size 8mb

Thank you for your application

Our Batchelor Institute team will get back to you shortly.

Inter-Library loan form
4 characters left

Item

Single article/chapter

Single article/chapter

I hereby request you to make and supply me with a copy of the article or extract listed on this application, which I require for the purpose of research or study. I have not previously been supplied with a copy of the said article or extract by a librarian. I have undertaken that is a copy is supplied to me, I will not use it except for the purposes of research or study.

Thank you for your application

Our Batchelor Institute team will get back to you shortly.

Send your enquiry and a Batchelor team member will get back to you shortly
Thank you for contacting us

Our Batchelor Institute team will get back to you shortly.

Search
Golden Years Exhibition at Batchelor Institute
28 August 2024
2 minute read

Showing at Batchelor Institute (BIITE)’s Coomalie Art Centre this month and into early October is the exhibition Golden Years, commemorating BIITE’s 50th anniversary through the BIITE Art Collection. Curated by BIITE curator Maurice O’Riordan, Golden Years is a celebration of art, education and history through an eclectic mix of artworks from a highly significant but little-known collection.

Golden Years was launched mid-August to coincide with BIITE’s 50th anniversary symposium Learning Journeys, Land & Language. The exhibition comprises 45 artworks in a variety of mediums from artists both established and lesser known. The roll call includes names such as Johnny Warangkula Tjupurrula, Jimmy Pike, Kitty Kantilla and Mervyn Bishop along with local Kungarakan artists Donnie McGinness and Barbara Taylor Wudjitpul. It includes work by student artists such as Isobel Windy with her winning design for the Institute (then College) logo competition in the mid-1980s. It also includes a bark petition (circa 2000) by Maningrida students calling for a study centre in the community. Their painterly plea was eventually answered and followed by a string of BIITE study centres and annexes throughout the NT.

Batchelor residents will be familiar with BIITE’s former Indigenous Media Unit located in the centre of town. Four doors painted by broadcasting and journalism students have been salvaged from this abandoned facility to find a new home in the collection and as part of Golden Years.

In tandem with the exhibition is the publication All my Country, the Batchelor Institute Art Collection, the first substantive book on this Collection. The title comes from the book’s editor-in-chief Dr Ngatkali Wendy Ludwig, a Kungarakan and Gurindji woman from Darwin and committed lifelong advocate for First Nations education, training and arts. “The BIITE Art Collection, in all its wonderful diversity”, says Ludwig, “essentially celebrates and affirms the artists’ connections to and longing for Country.”

Golden Years shows at Coomalie Art Centre (CAC) until Thursday 10 October 2024. Open Wed-Sat, 10am to 3pm. A range of CAC artworks and giftware is also available for sale with 50% off marked prices for most items. All my Country is available at the exhibition or via Batchelor Institute Press

Enquiries:

email: maurice.o’riordan@batchelor.edu.au

phone: 0474 1666 17