Batchelor Institute logo
Acknowledgement of country

Batchelor Institute would like to acknowledge and pay respect to the Aboriginal and Torres Strait Islander sovereign people of the lands on which our campuses are located. As we share our knowledge, teaching and learning and engage in research practices within this Institution and/or conduct business with a variety of external agencies and organisations, we must always pay respect to the sovereign status of our hosts. May their Ancestors always be remembered and honoured, their Elders listened to and respected, all members treated with dignity and fairness — in the present and well into the future.

We also acknowledge and pay respect to the knowledge embedded forever with our hosts, custodianship of country and the binding relationship they have with the land. Batchelor Institute extends this acknowledgment and expression of respect to all sovereign custodians — past, present and emerging. By expressing Acknowledgement of Country we encourage all to extend and practice respect to all First Nations people wherever their lands are located.

Please read this important information
It is a condition of use of the Batchelor Institute of Indigenous Tertiary Education website that users ensure that any disclosure of the information contained in the website is consistent with the views and sensitivities of the Aboriginal and Torres Strait Islander peoples.
This includes:
Language
Users are warned that there may be words and descriptions which may be culturally sensitive and which might not normally be used in certain public or community contexts. Terms and annotations, which reflect the author’s attitude or that of the period in which the item was written, may be considered inappropriate today in some circumstances.
Deceased persons
Users of the website should be aware that, in some Aboriginal and Torres Strait Islander Communities, seeing images of deceased persons in photographs, film and books or hearing them in recordings may cause sadness or distress and in some cases, offend against strongly held cultural prohibitions.
Access conditions
Materials included in this website may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions which the Institute is required to maintain
Application details
Position No.

.pdf, .doc, .docx maxiumum file size 8mb

Thank you for your application

Our Batchelor Institute team will get back to you shortly.

Inter-Library loan form
4 characters left

Item

Single article/chapter

Single article/chapter

I hereby request you to make and supply me with a copy of the article or extract listed on this application, which I require for the purpose of research or study. I have not previously been supplied with a copy of the said article or extract by a librarian. I have undertaken that is a copy is supplied to me, I will not use it except for the purposes of research or study.

Thank you for your application

Our Batchelor Institute team will get back to you shortly.

Send your enquiry and a Batchelor team member will get back to you shortly
Thank you for contacting us

Our Batchelor Institute team will get back to you shortly.

Search
Mural of Shorebirds Highlights Cultural and Environmental Connection on Crocodile Island
12 December 2024
3 minute read

Batchelor Institute Conservation and Ecosystem Management trainer Jaemie Page and artist Tamara Cornthwaite have been working with Crocodile Island Rangers in Milingimbi to create a mural of shorebirds, supporting their Certificate III studies in fauna recognition, mapping and biodiversity monitoring. Most of the rangers have been studying with Batchelor Institute for over 3 years now.

The Crocodile Islands, Maringa Country, are an internationally important site for migratory shorebirds. Many coastal birds can be found on the shoreline feeding on the abundant shellfish. Traditional Owners and rangers started monitoring shorebirds with BirdLife Australia back in 2015 and have since continued this work with Dr Amanda Lilleyman each year. In 2024 they released a book Coastal Birds of Maringa Country which helped guide the design of birds in the mural.

The background of the mural is the island of Nilpeywa (Crocodile Island), a prime feeding ground for shorebirds, with extensive tidal sand flats, mangroves and mud flats.

Monitoring shorebirds requires great skills to identify and count them from a distance, often in large groups of birds. Painting the mural provides opportunities to deeply explore and share knowledge around how the birds look, where they live, how they behave and other unique identifying features, as well as the English and Yolngu names, stories and the different ways we classify and describe the world.

Building training around existing community projects is central to the delivery model of the CEM team. This ensures that training remains relevant and grounded in a familiar context, helping participants build skills in using their tools, reporting methods, digital technologies, and communication strategies. It also provides rangers with an opportunity to reflect on the history of the project (shorebird monitoring) and remember how it came about, why it is important and ensure it is following the cultural protocols that were established.

The mural is a beautiful artistic and cultural public expression and celebration of shared knowledge for school kids and other community members to reflect on and inspire future work and learning.